Maynard gets Tim Ferguson on the Bungaphone for an action packed and speculation filled Bunga Bunga 59.
Don’t know where it will all end? Neither do Tim nor Maynard, but in a show that somehow connects 3 different native animals, a cat and Alan Jones you are assured to be no wiser by the end of this travesty of a mockery.
Your Crankmail is answered, Tim addresses the country’s lack of panic buying this week and Maynard starts an airline with the help of Winston Churchill.
Keep hoarding Australia!
Tim Ferguson
Kangaroo disappointed by Adelaide.
Maynard Air, it’s up yours.
Maynard
Winston Churchill describes the future Maynard Air.
Maynard returns to the Melbourne Comedy Festival in 1993. Broadcast rather excitedly on Triple J across Australia on Sunday, 4th April.
A two and a half hour spectacular Sunday Afternoon Fever show from the “Scott Carne Suite”, otherwise known as Studio 320 at ABC Melbourne. With a live audience that are up for it. Just what that is, you’ll find out.
The live house band for the show was Boom Crash Opera, with guests Miss Dorothy & His Fools in Love, Tlot Tlot, Mrs Sinatra, the Totally Lost in Space improv show, The Real Live Brady Bunch, Lano & Woodley AND heaps more.
You’ll need a wiglet.
Mrs Fred Sinatra on haircare
Fred & Millie Sinatra
There are audience song requests, 3 rounds of Maynard’s Mastermind and rather inexplicably the chance to win Bobby Brown’s tracksuit.
Miss Dorothy sings beautifully, Tlot Tlot have a new album, Mrs Sinatra (live on the phone from Las Vegas) has hair care tips for the ladies, Warren Coleman fills us in on behind the scenes of The Real Live Brady Bunch, Ross Daniels goes all Dr Smith for the live audience, Lano & Woodley relive painful school days in song and Boom Crash Opera do their version of Detachable Trombone. It’s a class act all the way with Triple J.
So, get down in your underpants and pray to the Church of the Funky Chicken. It’s time for Sunday Afternoon Fever at The Melbourne Comedy Festival 1993.
Thanks to all our funny guests. Special thanks to the very professional Triple J Producers Anne-Maree Sargeant, Phil McKelar and all at ABC Melbourne 1993.
Hear a time capsule from the Melbourne Comedy Festival 1992. Sunday Afternoon Fever live across Australia on Triple J, 5th April 1992.
Maynard and guests, Wendy Harmer, Bachelors From Prague, Doug Anthony All Stars, Stomp, Mark Little, Found Objects, Chris Lynam, Lily Savage, Corky and The Juice Pigs, Lance & The Hollywood Kids, bring you a music and mayhem filled 3 hours from just one Sunday afternoon that was very 1992.
Found Objects, perform on Sunday Afternoon Fever, 5.4.1992
ABC Studio 320 in Broadcast House, Lonsdale Street, Melbourne, was the venue for an afternoon of goofin’ off featuring the house band for the show Bachelors From Prague. It was their last public appearance before leaving for Italy.
Bachelors From Prague with Maynard dancing. Triple J, Sunday Afternoon Fever, Melbourne Comedy Festival 1992
This 3 hour show includes all the interviews and performances, as well as the flavour of the 1992 music groove.
Stomp perform on Sunday Afternoon Fever Melbourne Comedy Festival, April 1992
This was the first year Stomp toured Australia and before Wendy Harmer began her very successful commercial radio career in Sydney in 1993.
Richard Fidler helps out. Tim Ferguson relaxes live with Maynard, Triple J, Melbourne Comedy Festival 1992
DAAS had just been on The Big Gig and upset ABC viewers even more than usual. Chris Lynham was wonderfully surreal and gave some of the best non sequitur answers ever.
Maynard plays trombone with Bachelors From Prague. Triple J, Melbourne Comedy Festival 1992
All of these performers are still around, all every bit as entertaining as in this show. Seek them out, it’s worth the journey.
Maynard works the crowd. Sunday Afternoon Fever show. Triple J Melbourne Comedy Festival 1992
Thanks to all our guests. Special thanks to the very professional Triple J Producers Chris Norris, Anne Marie, Phil McKelar and all at ABC Melbourne 1992.
Bunga Bunga 57 brings poor advice and even worse lifestyle choices into your hearing once again.
We hear from Tim on his new cat, Star Trek’s best movies, burlesque as a tax dodge, inappropriate dress for time travel and why cows and mining don’t mix.
Tim and Maynard also dive deep into the burning social issue of feline appropriation.
We also put our political predictions where our Trump is, by calling the results of the US election. Tim does anyway. Maynard is busy thinking about his Pseudo Echo support gig in March.
Australia’s Coldest 100 returns on 25th January with some of the weirdest music Australia has ever spawned.
The Coldest 100 was the creation of Andrew Sholl on Twitter in 2016 and has been the embarrassing family member at the barbecue of Triple J’s Hottest 100 ever since. Anyone can have a guess at the hottest song of the year. But who has ever nominated Margarita Pracatan or Daryl Somers performing his version of Thankyou for Being a Friend ?
@Ozkitsch Andrew Sholl has allowed me to play you a few spoilers from the big day on Saturday (about 25).
Miss World contestants 1989 cover Kylie Minogue
Hey Hey, It’s a Ballarat charity telethon 1988
Les Hamsters just missed out making The Coldest 100 this year. Sacre bleu!
The Sydney Hellfire Club, clearly one of the most interesting nightclubs on the Sydney scene, has called it a night after 27 years (or 26 years and 10 months, if you want to be pedantic).
Master Tom and Ultra sat down after the final party on 27th December and told the reason why they are ending their successful run. Also just a few stories from a version of Sydney nightlife that won’t be back in a hurry.
What really made Hellfire work for so long was that we genuinely held a particular defined philosophy, that we stuck to rigorously. Even when it was economically irrational to do so.
Master Tom
Sydney Hellfire Club first night at The Shift. Maynard & friends
Listen to the full interview above. Here is a wicked partial transcript:
Maynard: When you do something for a long time, when you do something for 26 years and 10 months, you’re not just good at it, you’re fucking brilliant at it! I’m talking to the two people that have run the Hellfire Club in Sydney for 26 years and 10 months. We’ve got Ultra and Master Tom, how are you feeling? It’s 48 hours after you put the Club to bed for the last time.
Master Tom: We’re feeling every one of those 26 years and 10 months. Can I just say, I was young and skinny when it started. Now I’m twice the man I used to be.
Maynard: And you two actually met at the club.
Ultra: We did. We met in maybe August 1993.
Maynard: Looking at the final night you had there, the crowd has evolved. There were a lot of people looking the look. But not really playing the way they used to back in the day. Is that because society’s changed or because my eyes are so bad I didn’t see it.
Master Tom: Oh both. There was a bit of play going on around the frames. There were two A-frames going, one in the back corner, one in the front corner. Things have changed. Nightclubs have changed. Nightclub culture’s changed. The Black Market was a unique and special place. Kind of anything you wanted you did. It was all brand new then and everyone was making it up as they went along and there was nowhere else to do anything like that at the time. But since then, and largely as a result of Hellfire, there’s been a proliferation of other events, other parties, other venues, and other opportunities for people to do this kind of stuff. Not just in a nightclub.
Maynard: What was the final straw then? The thing that happened for you to say, “Let’s end it”.
Ultra: A $20,000 minimum bar spend.
Maynard: That’s a lot of money. In the world of Australian nightclubs, is that considered a high minimum spend at the bar? Explain to people what that is.
Master Tom: A minimum spend is the amount the club owner has to take. If they take any less than that, you have to make up the difference. For example, at Hellfire the average spend over the bar was probably around $12,000, so we would have been having to pay them $8,000 per night to make it up to that $20,000 minimum, on top of paying for everything from the Door Bitches to the performers, the DJs, the lighting guy, and so on and so on.
Maynard: What about for the future? Maybe do an annual thing? Would there be a No Holes Barred one of these days? Any thoughts of that or do you just want to go away on your holiday?
Ultra: I think we need to have a little rest. Then reset and think about where we want to be. I’m sure a million people will dive in on our night and try something in the interim. So I’m quite happy to clear the decks and let them.
Maynard: Hey, but with a minimum spend like that, they better have deep pockets.
Master Tom: We are really exhausted. If someone had told us all those years ago that we’d still be doing this 26 odd years later, there’s no way we would have believed them and we deserve a rest.
Maynard: We thought everything was going to get wilder and it didn’t. We thought it was going to become the 1920s and it’s become the 1850s. That was not a good time.
Ultra: It has been harder to promote because as you pointed out at the very beginning, we went from people who were outsiders because they were rejected by society, and when you’ve been rejected by society, you kind of develop these ethics that you’re not gonna treat people like that. So now we are in a society where everyone feels like an outsider. So we’re actually trying to promote to mainstream people, which meant the rules had to come back in. So it was kind of funny. We’ve gone from a club that was full of renegades that didn’t have rules, to one that was full of mainstream people that needed rules.
Maynard: Is part of that because of identity politics ? Everyone was being seen as a group and now everybody, because of intersectionality, can be a party of one. They can find differences very easily, where before they could find similarity.
Master Tom: I think, at least in the case of the BDSM fetish scene, that it started off as a very inner city phenomenon, and over the years it gradually radiated out further and further in concentric circles until it started taking in the inner West and the outer West, and then Greater Sydney and then regional Australia and so on. Half of the people, at least of the people that have been attending Hellfire over the last few years, aren’t even from anything like what you would even consider to be Sydney.
Maynard: There are a few people that are still getting over the Hellfire show you did in Darwin.
Master Tom: All these things have happened, like Fifty Shades of Grey that took BDSM, fetish or kink or whatever you want to call it out of being a very small and hidden subculture and made it really, really mainstream, and that opened it up to all kinds of people and there’s good and bad that comes with that. The good part is for people who do have kinks, they can feel less bad about it and go, “Oh my God, I’m not alone”. But also at the same time, it robs it of some of its subversive power. It’s a double edged sword.
Maynard: On behalf of everybody who went to Hellfire ever in the last 26 years and 10 months, I would like, thank you for a fucking great time.
Ultra: Yay. Thanks for coming. It was yours. It was everybody that came to this club. It wasn’t just ours. It was certainly something that we did together.
Master Tom: It sure was. Otherwise, it would have been a very, very small thing.
Tim Ferguson and Maynard bring you A Very Recalcitrant Xmas 2019, the Xmas show that doesn’t really want to be here.
Tim wants Lego for Xmas, Maynard doesn’t even want Xmas for Xmas.
Ferguson has his usually spot on predictions for next year, remember he has correctly called every Australian election this century.
To help along the way we have podcast friends from around the world dropping in to make this the most recalcitrant show of your festive season.
Lance Leopard, The Darbys, Karl & Andy from Who Are These Podcasts?, George Hrab, Christopher Laird & Tony Push all bring us their reality of Xmas. See if it matches yours.
From all here at Planet Maynard we wish you A Very Recalcitrant Xmas 2019
Dave Mulligan brings you an uncool yule when he returns with 3 great songs for the holiday season, or so he thinks.
Dave Mulligan is a 50s and 60s record collector, mainly 45s, and every year Maynard asks him to share a few that you don’t normally hear at this time of year. Or ever really.
Maynard and Dave Mulligan apologise and wish you a very Uncool Yule.
